With its improved design and new features, this rugged G3 rack receiver is ready for the road with its proven transmission reliability and inspiring flexibility. The sound check mode allows you to check the audio and RF signal at any time during setup. 20 frequency banks with 12 preset frequencies each, plus a user-programmable bank mean you can easily run multiple channels of G3 wireless simultaneously.
Sennheiser EW-300-IEM Wireless in-ear monitoring system.
Hear better, perform better. Sennheiser monitoring systems are trusted by professionals worldwide and now are better than ever. Featuring an adaptive-diversity receiver, the receiver pack uses the headphone cable as a secondary antenna for flawless reception. Ear-canal phones, with various ear-fitting pads for an individual fit, reproduce the signal from the adaptive diversity receiver precisely and faithfully. Pass-through outputs allow easy splitting of the input signal to travel to other devices. The 5 band equalizer integrated in the transmitter also allows you to personalize the sound even further. Lastly, the entire set can be monitored and remotely controlled with Sennheiser's "Wireless Systems Manager" software due to the built-in Ethernet port on the stereo transmitter.
The wireless body-pack standard gets even better. Sennheiser has packed many useful features in the 158g weight of the SK 100 G3. The SK 100 G3 has an easy-to-read graphic display, infrared sync, charging contacts, cable emulation, RF mute, an intuitive menu and much more. As features alone are no substitute for audio quality, the AF frequency response was expanded to 25-18,000 Hz for the truest sound.
The new ULXD4D quad channel digital receiver packs four channels of wireless into one rack space, with individual gain controls, LED meters, and XLR outputs for each channel. Like the single-channel, half-rack ULXD4 digital receiver, the new dual and quad receivers feature fully digital audio processing and RF transmission as well as AES 256-bit encryption.
High Density Mode (designed for high channel count applications requiring a working range up to 30 metres), allows operating up to 560 (five hundred & sixty) channels in 72 MHz, respectively 63 channels in an 8 MHz TV channel. High Density mode optimizes the system’s output power and digital RF filtering to reduce its spectral footprint from 350 kHz to 125 kHz, with no loss of sound quality. This allows ULX-D systems be tuned to frequencies that are much closer together without interfering with each other.
Even in Standard mode, up to 22 ULX-D systems can operate in 8 MHz.
The ME 4 is a sub-miniature clip-on lavalier microphone which is suitable for speech applications in noisy environment. Itis equipped with a cardioid capsule and has therefore a high feedback rejection.
This premium electret condenser microphone is engineered to meet the most critical acoustic requirements of professional recording, broadcast and live sound. The AT4041 cardioid studio condenser microphone features a smooth, extended frequency response with a slight rise in the high-frequency region and a transformerless output for very high SPL-handling capability. A unique combination of audio excellence and moderate cost, the AT4041 is a rugged microphone housed in a case of turned brass with black chrome plating for durability and low reflectivity. The element back plate holds a fixed charge and has been aged to provide energy stabilization. The surface of the back plate is precision milled to ensure maximum charge linearity, resulting in a reduction in both frequency response peaks and diaphragm break-up distortion.
Now with infrared sync function, the SKM100-835 G3 can tune to a G3 receiver with a simple push of the receiver's sync button. Compatible with ew 100 G3 receivers and every vocal style, this hand-held transmitter/microphone combination provides wireless freedom to both performers and presenters alike. With rugged design and powerful sound, it is ideally suited for the stage as it is in the auditorium. Newly revised features such as the enhanced graphic display, easily swappable capsule and included charging contacts make the SKM100-835 G3 a solid choice.
With robust construction and unobtrusive appearance, the PRO 45 and PRO 45W offer versatile sound-reinforcement solutions for speech, theater, orchestra and choir sound reinforcement and recording. The microphones’ high-SPL handling is perfect for suspension over choirs and orchestras. Available in two colors: Black (PRO 45); white (PRO 45W).
The C747 V11 is a professional shotgun condenser capsule with a flat frequency response and a clean off-axis response. Due to its brilliant sound reproduction, it is perfect for guitar, piano, drum and overhead recordings. Thanks to its inconspicuous appearance, it is also widely used as a speech and lectern microphone.
The C747 V11 features an integrated RFi shield to block out unwanted interference from mobile phones, wireless microphones and other wireless devices. The C747 V11 ships with an extensive accessory set including a shock mount adapter, mini-gooseneck, stand adapter, mounting clamp, thread link and windscreen.
The D112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers are thrilled with the D112´s ability to handle up to 160dB SPL without any distortion. The diaphragm has a very low resonance frequency to maintain a solid and powerful response below 100Hz. A narrow band presence boost at 4kHz punches through dense mixes with forceful impact - no additional EQ needed!
The D112 is also an excellent choice for use with bass cabinets and trombones.
PRE-PACKAGED SETS OF HIGH QUALITY DRUM AND PERCUSSION MICROPHONES
Audix revolutionized drum and percussion miking by designing instrument specific microphones. With the introduction of the Fusion Series, Audix created two attractively priced packages for todays up and coming professionals.
The FP7 Drum Pack contains a combination of f2, f5 and f6 dynamic microphones and the f9 condenser for overheads. The f5 is tuned for snare drum and can be used as well for bongos, timbales, guitar cabinets and acoustic instruments; the f2 dynamic microphone is ideally suited for rack and floor toms, congas, djembe, bongos, timbales, brass and woodwind instruments. The f6, with its extended bass response, is designed for kick drum, bass cabinets, cajon and other low frequency instruments. The f9 condenser microphone is intended for cymbals and hi-hat.
Built to withstand the rigors of live stage applications, the Fusion Series microphones are also excellent for rehearsal, school, House of Worship and a wide variety of home recording applications.
Crown's PCC 160 Phase Coherent Cardioid microphone is a unidirectional boundary microphone that offers exceptional acoustic performance in handsome, low-profile enclosures.
The PCC-160 is the industry-standard stage floor microphone. The PCC 160 microphone employs Crown's Phase Coherent Cardioid boundary microphone technology to provide impressive gain before feedback and directional pickup without sacrificing tonal quality. This results in a microphone with a wide, smooth frequency response, free of phase interference from surface sound reflections. And the microphone's sensitivity is boosted 6 dB by the surface mounting.
Designed to withstand the rigors of the stage, the PCC-160 microphone has been finely crafted using the very best materials possible while maintaining affordability. Its low profile enables it to be placed inconspicuously on the stage floor, on a lectern, or any other appropriate surface.
The legendary SM58 is an industry-standard, highly versatile cardioid dynamic vocal microphone, tailored to deliver warm and clear vocal reproduction. The SM58 is consistently the first choice for vocal performances around the globe.
It’s an ideal choice for a professional vocal artist in any live performance setting. It is tuned to accentuate the warmth and clarity of lead and backing vocals. Even in extreme conditions, the SM58 is tailored to target the main sound source while minimizing background noise. It is also very popular with djs and presenters in clubs and in small and large live venues.
The durable construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently, outdoors or indoors.
The legendary SM57 is an industry-standard, highly versatile cardioid dynamic microphone tuned for the clean reproduction of amplified and acoustic instruments. The SM57 is ideal for sound reinforcement and recording applications.
It’s the most popular choice for a professional musician who wants to mic up their amplified or acoustic instrument such as a guitar amp or bass amp, saxophone, trumpet or drums. It is used on stages and in studios around the world.
The contoured frequency response with its presence rise, helps the instrument cut better through the main mix. The extremely effective cardioid pickup pattern isolates the main sound source and will simply record what you point at it while rejecting sound from the rear.